When you mix two of my all time favorites, in this case typography and accessories, there is no way I’m gonna pass the opportunity to write about it even if it was created back in 2010. Roni Pinkas, the young designer behind all this typographic party, created it all as part of her graduate project at the Jewelry Design Department at Shenkar College.
I don’t know what about you, but I feel like I can wear each and every piece. Old typewriting keyboards, wooden letters, metal letters, contoured letters… I really don’t care, as long as it’s typolichius I’d be happy to wear it!
You can get in touch with Roni here:
pinkron {at} gmail {dot} com

It truly looks like Oded Ezer found the way to mix business and pleasure the typographic way. There is no other way to describe his latest adventure, “The New American Haggadah”. With Passover coming this Friday there is no way I’m gonna miss the opportunity to share with you this typographic masterpiece. But first thing first, none of this would have happened without Jonathan Safran Foer and Nathan Englander. The two asked Oded to join them in creating a modern take on the ancient Haggadah, and he managed to outdo himself with each spread looking like a piece of art.
I can promise you one thing, the Seder never looked so appealing in years!

I’m fascinated by typographers. Somewhere, deep down I wish I would have what it takes to sit hours after hours and design the best next font. Who am I kidding… I should leave it to the pros and in this case, the guys behind the brand new Alef Alef Alef, house of fonts. Nadav Barkan, the one behind the Sticks and Stones font is one of my favorites. Nadav decided to create the symbols that mark significant milestones in weapons development.‬ It’s also a visual interpretation of Einstein’s statement that “in the end, despite all the technological developments, humanity will return to the starting point”.
{Alef Alef Alef is a Hebrew friendly site}